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The time spent on this part of the film, and the effort, is clearly visible. Samantha Akkineni and Sivakarthikeyan in a still from Seema Raja.įor instance, we see there is animosity between Puliampatti people and Singampatti people in Seema Raja, a thread if explored further could have added depth to the film, instead what we get is Alauddin Khilji travelling down south from Delhi to cheat a king! The very same humour becomes a stumbling block in Seema Raja because the director fails to segue the two very different plots satisfactorily. Ponram’s previous films with Sivakarthikeyan, such as Varuthapadathey Valibar Sangam and Rajini Murugan, were entertaining purely because of their humour. The switch from our hero being a millennial craving social media attention to a king who loves his land and people is hard to digest. It is hard for the audience to take Sivakarthikeyan as a modern-day king seriously when director himself cannot sell the idea. The premise of the film, the kings and queens of 21st century, is lost in translation. Seema Raja ends up trivializing even the serious moments due to its compulsive need to entertain audience at all times. Alauddin Khilji makes an appearance and the spotlight is shared by Baahubali like settings and Soori’s six-pack abs bewilderment follows, of course. The Sivakarthikeyan film is a victim to its own ambition – it could have been a perfectly good comedy but by mistiming the jokes and adding action to it, director Ponram makes it an unappetising mish-mash.
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Seema Raja falls in that rare category – a film so bad that it is good.
![seema raja movie review seema raja movie review](https://i.ytimg.com/vi/r_IPOXG5CMY/maxresdefault.jpg)
Cast: Sivakarthikeyan, Samantha Akkineni, Simran, Lal, Napoleon, Soori